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<channel>
	<title>Giacomo Santiago Rogado</title>
	<link>https://rogado.com</link>
	<description>Giacomo Santiago Rogado</description>
	<pubDate>Sat, 18 Apr 2026 12:57:03 +0000</pubDate>
	<generator>https://rogado.com</generator>
	<language>en</language>
	
		
	<item>
		<title>News, el corazón es agua</title>
				
		<link>https://rogado.com/News-el-corazon-es-agua</link>

		<pubDate>Sat, 18 Apr 2026 12:57:03 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

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		<description>
	

	UpcomingEl corazón es agua&#38;nbsp;


	Solo show
Richeldis Fine Art
Opening&#38;nbsp; May 7, 2026 18:00

	May 7 – July 7, 2026

Barcelona

Spain
</description>
		
	</item>
		
		
	<item>
		<title>2026 Fields Unbound</title>
				
		<link>https://rogado.com/2026-Fields-Unbound</link>

		<pubDate>Thu, 12 Feb 2026 11:10:16 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

		<guid isPermaLink="true">https://rogado.com/2026-Fields-Unbound</guid>

		<description>
	
2026


	
Fields Unbound

	group show&#38;nbsp;
	Bernhard Knaus Fine Art &#38;nbsp;&#38;nbsp;
	
	December 4 – March 7, 2026Frankfurt am Main

	
	&#60;img width="2098" height="1400" width_o="2098" height_o="1400" data-src="https://freight.cargo.site/t/original/i/4fd1ba4108f4f0157e9f0088a1fe37f2fd3df47fca9f56b5de9e3b68025222d7/gruppenausstellung-fields-unbound-bernhard-knaus-fine-arts-82x-Kopie-Kopie.jpg" data-mid="247367301" border="0"  src="https://freight.cargo.site/w/1000/i/4fd1ba4108f4f0157e9f0088a1fe37f2fd3df47fca9f56b5de9e3b68025222d7/gruppenausstellung-fields-unbound-bernhard-knaus-fine-arts-82x-Kopie-Kopie.jpg" /&#62;

	
	Traditionally, painting has been understood as the art of the surface: pigment on canvas, bound to gesture, composition and pictorial space. Yet contemporary painterly practice has moved far beyond this definition. It breaks open the classical notion of the panel painting and seeks expansion through movement, temporality, process and perception. The term “expanded painting” – repeatedly invoked since the 1960s – points to this act of opening: painting is no longer defined solely by technique, but by attitude and by thinking. (...)
	In the practice of Giacomo Santiago Rogado, technique and intuition merge into a poetic enquiry of pictorial space. His works often arise from processes that give equal weight to chance and control: colour gradients, reflections and iridescent surfaces extend the image into the surrounding space. Rogado understands painting as a field of experience – a sensorial realm in which light and perception become inseparably intertwined.



	


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	<item>
		<title>News, fields unbound BK</title>
				
		<link>https://rogado.com/News-fields-unbound-BK</link>

		<pubDate>Wed, 26 Nov 2025 14:05:56 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

		<guid isPermaLink="true">https://rogado.com/News-fields-unbound-BK</guid>

		<description>
	



	&#38;nbsp; &#38;nbsp; Group show
&#38;nbsp; Fields Unbound



	Group show
Bernhard Knaus Fine Art
Opening&#38;nbsp; December 3, 2025 18:00

	December 4 – March 7, 2026
Frankfurt am Main

Germany
</description>
		
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	<item>
		<title>2025 senza fine</title>
				
		<link>https://rogado.com/2025-senza-fine</link>

		<pubDate>Sun, 19 Oct 2025 18:14:20 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

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2025


	

	senza fine
	Solo show&#38;nbsp;
	 Galerie Mark Müller&#38;nbsp;
	September 5 – October 18, 2025 
Zürich

	
	
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	Each time it feels as if I could see more, yet I never see enough. I catch myself wandering from one interpretation to the next: I wish my gaze could resolve itself somewhere, into a thing, an idea, a detail that might finally tell me «this and not that»; instead I hesitate, leaping from paradox to paradox. I believe I can glimpse beyond the weave of the image, convince myself that I seize its story or sound its layers, and still I keep returning here, now, to the canvas, as if I had never left it.How this geometric rigour, so systematic, logical, lucid, which I delude myself into grasping in all its clarity, could have already become another form, another colour — other than itself? How do these shifts of colour embrace me with their endless adjustments and lull me into their abyss? How can these flowers survive—delicate and proud—amid the drama of their invisible stems, and the bristling weeds that loom over them? What to make of those tightened lips, the eyes carved by events, and those cheeks beaded with tears: are they anger or vindication, despair or hope, past or future? And what is one to feel before this sea, when I cannot decide between the horizon and geometry, when I cannot choose whether to sink to the surface, or soar into the depths?“I paint until the image emerges,” says Rogado, “whether the result is abstract or figurative”. The work’s success lies in the visual dilemma it places before our eyes. The question must remain unresolved. Rogado does not work towards goals, he does not plan, he does not foresee; he prefers to follow a gesture, a procedure, a logic, and then juxtapose it with other gestures, other procedures, other logics. His work is a layering of painterly processes, executed experimentally, whose sole aim is the unexpected singularity of the result.
	And so we lose ourselves in the play of formal contrasts that accord without our knowledge, gliding gently from one logic to another, and traversing this perceptual labyrinth in every possible sense. We could look away and suspend every question; instead we remain with these images that go on beginning, never ending… perhaps because they have nothing in particular to show. Their dazzling ambiguity, invading our body, soothes us. Every obligation is repelled, every expectation suspended, and our attention becomes gentle and floating.Reflecting on the Chinese conception of landscape, the philosopher François Jullien noted that contemplation — unlike observation — is not born of desire, nor does it aim to possess or internalize, but is a mode of immersion. When we contemplate, we do not see a world as a view or a spectacle, because we are not looking from the outside but from within, absorbed in the relations among things, which together seize us, hold us, and flow through us. Rogado’s painting addresses this intimate realm of vision: it promotes it, calls for it, seeking a contact that opens us to the whole of the sensible. What is required, then, is a gesture of trust; the willingness to feel what it has to reveal about ourselves in the world.“So my mind sinks in this immensity:and foundering is sweet in such a sea.” 1Thus the poet Leopardi confided in his reader, his gaze turned to his own landscape; so we too would confide in Giacomo Santiago Rogado, our gaze turned to his painting. 
Luca Libertini1&#38;nbsp;Giacomo Leopardi, Canti: Poems / A Bilingual Edition, translated and annotated by Jonathan Galassi (New York: Farrar, Straus and Giroux, 2010)
	


</description>
		
	</item>
		
		
	<item>
		<title>News, senza fine</title>
				
		<link>https://rogado.com/News-senza-fine</link>

		<pubDate>Fri, 18 Jul 2025 18:57:30 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

		<guid isPermaLink="true">https://rogado.com/News-senza-fine</guid>

		<description>
	


	Upcoming
senza fine
	Solo show

Galerie Mark MüllerOpening Friday September 5, 2025 18:00

	September 5 – October 18, 2025
Zürich
Switzerland
</description>
		
	</item>
		
		
	<item>
		<title>2025 Kunsthalle Göppingen</title>
				
		<link>https://rogado.com/2025-Kunsthalle-Goppingen</link>

		<pubDate>Fri, 18 Jul 2025 19:06:35 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

		<guid isPermaLink="true">https://rogado.com/2025-Kunsthalle-Goppingen</guid>

		<description>
	
2025


	

	ALL THAT YOU SEE
	Solo show&#38;nbsp;
	 Kunsthalle Göppingen&#38;nbsp;
	Nov 12 2024 – April 27, 2025 
Göppingen


	
	
&#60;img width="3000" height="2000" width_o="3000" height_o="2000" data-src="https://freight.cargo.site/t/original/i/880c2909137c14f65bfd6e1b8446f7ae5628472cf563185e150dc35834f0921c/_DSC9486_web.jpg" data-mid="236018334" border="0"  src="https://freight.cargo.site/w/1000/i/880c2909137c14f65bfd6e1b8446f7ae5628472cf563185e150dc35834f0921c/_DSC9486_web.jpg" /&#62;
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	Central themes in the work of painter Giacomo Santiago Rogado (born 1979) are perception and seeing itself. His paintings enable visual experiences that stimulate and sharpen perception. Rogado's works encourage close observation, raising questions about spatiality, three-dimensionality and materiality. In his work, he combines a wide variety of traditions of the medium of painting and explores its boundaries with tools, techniques and materials. The exhibition ALL THAT YOU SEE provides a comprehensive overview of the painter's work&#38;nbsp;and shows pieces from his various groups of&#38;nbsp;works. 

	 The artist's works will be on display on both levels of the museum – in the Shedhalle, in C1 and in the hall below. The exhibition also includes a large-scale, walk-in installation in which Rogado continues to explore his key themes: viewers can walk through the installations and thus become completely surrounded by the paintings. This gives a new dimension to the idea of pictorial space and its expansion. The panel painting has opened up into three dimensions.

Melanie Ardjah
	


</description>
		
	</item>
		
		
	<item>
		<title>BOOK ALL THAT YOU SEE</title>
				
		<link>https://rogado.com/BOOK-ALL-THAT-YOU-SEE</link>

		<pubDate>Sun, 18 May 2025 17:48:50 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

		<guid isPermaLink="true">https://rogado.com/BOOK-ALL-THAT-YOU-SEE</guid>

		<description>
	
2024
&#38;nbsp; &#38;nbsp;/25
	

	ALL THAT YOU SEE
	Book
	Kunstmuseum Thun /
Kunsthalle Göppingen
	Published byDISTANZ Berlin &#38;nbsp;&#38;nbsp;


	
	
&#60;img width="4788" height="3196" width_o="4788" height_o="3196" data-src="https://freight.cargo.site/t/original/i/9ebef033cce49e680844704133108e7f735725767e68447aa8f328da29c07852/GSR_9745_web.jpg" data-mid="233365052" border="0"  src="https://freight.cargo.site/w/1000/i/9ebef033cce49e680844704133108e7f735725767e68447aa8f328da29c07852/GSR_9745_web.jpg" /&#62;


	
	Published on occasion of the double exhibition at Kunstmuseum Thun and Kunsthalle Göppingen, the monograph ALL THAT YOU SEE surveys Giacomo Santiago Rogado’s oeuvre of the past twenty years. With a preface by Helen Hirsch (director, Kunstmuseum Thun) and Melanie Ardjah (Kunsthalle Göppingen), essays by Melanie Ardjah and Luca Libertini, and a collection of quotes about the artist compiled by Amanda Haas.

	
German/English/Italian, 276 pages, 150 color images and 10 b/w images, hardcover with linen, concept and graphic design by Amanda Haas, published by DISTANZ Berlin




	
</description>
		
	</item>
		
		
	<item>
		<title>News, Kunsthalle Göppingen</title>
				
		<link>https://rogado.com/News-Kunsthalle-Goppingen</link>

		<pubDate>Fri, 09 Aug 2024 11:35:17 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

		<guid isPermaLink="true">https://rogado.com/News-Kunsthalle-Goppingen</guid>

		<description>
	


	Upcoming
ALL THAT YOU SEE
	Solo show

Kunsthalle GöppingenOpening Sunday Nov 10, 2024,

	
	Nov 10 – April 27, 2025 
GöppingenGermany


</description>
		
	</item>
		
		
	<item>
		<title>News, durch dick und dünn</title>
				
		<link>https://rogado.com/News-durch-dick-und-dunn-1</link>

		<pubDate>Fri, 22 Nov 2024 18:04:03 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

		<guid isPermaLink="true">https://rogado.com/News-durch-dick-und-dunn-1</guid>

		<description>
	


	Upcoming
durch dick und dünn
	Group show

Galerie Mark MüllerOpening Saturday Nov 30, 2024

	
	Nov 30, 2024 – Jan 25, 2025 
ZürichSwitzerland


</description>
		
	</item>
		
		
	<item>
		<title>2024 Thun Panorama</title>
				
		<link>https://rogado.com/2024-Thun-Panorama</link>

		<pubDate>Sun, 03 Nov 2024 10:44:41 +0000</pubDate>

		<dc:creator>Giacomo Santiago Rogado</dc:creator>

		<guid isPermaLink="true">https://rogado.com/2024-Thun-Panorama</guid>

		<description>
	
2024


	

	AUSSER SICHT
	Solo show&#38;nbsp;
	 Thun Panorama&#38;nbsp;
	May 11 – Dec 1, 2024&#38;nbsp;
Thun


	
	
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	On their way to the building, visitors are already confronted with Rogado’s work as soon as they glimpse from the outside the backs of the large canvases blending harmoniously with the windows. The translucency of the picture supports hints at the nature of the painting to come. In addition, circular openings in the canvases afford a direct view into the exhibition space. In addition, round pictures hanging on the back of the canvases can be seenfrom the outside but only guessed at from inside. As windows into another dimension, they enhance the impression of depth and the complexity of the installation.
Upon arrival inside the exhibition space, the possibilities for interpreting the work multiply. The colours that the artist has applied to the canvases create shimmering organic forms that open up a view inwards and – thanks to the light coming in from outside and the semi-transparent picture supports – also outwards. The daylight makes the silhouettes of the stretcher frames and the small round paintings attached to the back show through the canvases. These elements blend with the shadows cast by the trees and plants to become part of the work and its composition. Ausser Sicht is therefore constantly in motion, transforming with changes in nature and the seasons.

	
The four circular openings, which are positioned in the installation in the direction of the four points of the compass, act like windows that open up the picture even further to offer a complete view of the outside world and project it outwards. Rather than blocking the view, the canvases thus open up a horizon of infinite possibilities. The artist has furthermore placed on them painted ceramic spheres with reflective enamel surfaces, creating a kaleidoscope of reflected images. Viewers can also see themselves reflected in these orbs and become in this way part of the installation. This panora-&#38;nbsp;ma of visions and illusions not only explores the nature of art&#38;nbsp;but also probes the limits of human perception.

In sum, Ausser Sicht generates a continuous and complex connection between interior and exterior space that can be experienced from both perspectives. The windows of the gallery become fragmented openings providing surprising views inside and out that challenge our perceptual habits. The title Ausser Sicht refers to the fact that some- thing always remains hidden from view and eludes our gaze,&#38;nbsp;no matter how we look at things.
Chiara Ottavi


	


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